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Black leather case marked on top of the hinged lid section "A. zf41 Scope, German WWII K98 Mauser Sniper ZF-41. The country's capital, Jakarta, is the world's second-most populous urban area. View weapons from US, Japanese, and Nazi armies online at Legacy Collectibles. WW2 Leather lenses Cover protector for M6 37mm Cannon telescope as listed above. However, for the time these scopes were considered to be the cutting edge of individual warfare and contributed to the kill The New “A” Scope.
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This is a German sniper scope made by Kahles. The lenses are also clear without any scratches. Early WW2 German "ddx" ZF4 Scope: WWII Voightlander "ddx" ZF4, again a little ugly, SN 11021 (first 1000 or so made), with scarce set screw, optics poor/foggy, will need to disassembled and cleaned, but everything works! Does not include any accessories or windage cap: Try Mr. Production of the former outnumbered the latter by a considerable margin, but manufacturing figures for Japanese rifles are spotty. High quality all steel reproduction Zf41 Scope, manufactured using original drawings on high tech optical machinery. I hope to pop a roll of film through it in the next couple of weeks.Ww2 scopes for sale The Living Past: Original WWII US Field Gear Equipment. It has its original case, a couple of dark slides and filters (that slide into the hoods). This shows the rear swing a little clearer.Īll-in-all a lovely little camera and beautifully engineered. You can also see the button to release the front bed extension just in front of the right hand focus knob. This shows the lowered bed, the rise knob and the cam inside the bed just in front of the lens. Again, swing has been applied at the back to illustrate this. The camera has rise and rear tilt on the front and swings can only be applied at the rear of the camera (as well as tilt - but not rise). This shows the bed lowered to allow the lens to be used and a small amount of rise has been applied to the front standard just to illustrate this. When using the 65 mm, wide-angle lens, the rear infinity stop must be used as well as the 65 mm cam to enable it to be coupled to the rangefinder. The roll film back can then be mounted (of course this must be used with the range-finder). These are slid outwards and the back can then be removed. To change the back it must be rotated through 45º to reveal the catches. The back can be rotated 90º (in fact 360º).Īs mentioned above, the camera can be used with both cut sheets and roll film. The viewfinder can be shifted based on this to correct for parallax. On the rear of this is a depth-of-filed table and the eyepiece of the viewfinder can be seen with a distance scale alongside it. This shows the back which is fitted with a fold out / swing out hood for the ground glass screen and the spring holder for the cut sheet holders. Mid-way along the bed you can also see a bright button that pops the cam up once it has been released to allow it to be re-positioned for a different lens. Looking from the other side, the knurled knob controlling rise on the front standard can be seen (at the bottom and behind it) as well as the mounting point for the cable release and the grip. I only have a 65 mm and a 105 mm and, interestingly, there is no indent for the 180 mm even though the cam covers this focal length (I assume it depended on what you ordered as the cam and stop were calibrated at the factory). to choose a different infinity stop for the other coupled lenses. The two black 'pinch' grips below the lens allows the standard to be shifted in position on the focus rail (e.g. The knurled control for front standard tilt can be seen below the lens. Looking from the front shows both the viewfinder and rangefinder windows, the cable release coupling and some of the controls on the lens. You can also see the cover of the main viewfinder window is opened, acting as a sun shield, and two of the knurled knobs on the rear side of the body that releases the back movements. Here the lens is set at infinity and the focus rack knob can be seen towards the front of the camera (it can be extended to provide a total of about 30 cm extension). The camera also has a coupled rangefinder with a multi-cam calibrated to the 65 mm, 105 mm and 180 mm lenses. Here is the camera fitted with a 105 mm lens and cut sheet / ground glass back. The baby brother of the famous Linhof Technika 5x4 (see ) but with similar capabilities and using either 6x9 cm cut sheet film or 120 roll film. Or rather, a baby Linhof Technika, the Technika 6x9.